Cartoon Corner: The Cuphead Show! Season 1 Review

Do not mess with a Cuphead, ‘nuff said!

What’s the Story?

In the Inkwell Isles, trouble is never far behind where that loveable rascal Cuphead and his long-suffering brother Mugman happen to be. When they come across a carnival in the middle of the forest the two cups decide to ditch their chores and have some fun, not realising that the carnival is a front by the Devil to collect souls! All it takes is one distracted throw and now Cuphead is in debt to Old Scratch, but the Devil isn’t his only problem. Whether its sneaking onto Ribby and Croaks’ party boat, outsmarting dastardly vegetables like the Root Pack or surviving a night in a ghost-filled cemetery it’s just one misadventure after another with these two. Can Cuphead keep hold of his soul? After all, there’s only so many times you can roll the dice before they come up snake eyes.

The Review:

One of these days I’m going to learn not to put my expectations on a show before I even watch a single episode. Admittedly I’m coming at the Cuphead franchise from a weird direction so let’s get some context in place first. Obviously this series is based on the popular game, which I’ve never played and know very little about. I gave up on gaming a while ago, even though Cuphead sounds like a game I might actually like. I enjoy the aesthetic of the character designs and the clear callbacks to the early days of US animation, but its the songs that I enjoy the most. Or to be more specific it’s the songs about the game that I enjoy. Caleb Hyles has done some terrific covers of Cuphead songs and the Cuphead Rap by JT Music is a favourite of mine, I’d recommend listening to all of them in a heartbeat. However, because those are the sole source of my knowledge about Cuphead I’ve built up this weird image of the franchise in my mind. Now I have no idea how accurate this new Netflix series is to the game, but it certainly doesn’t match the picture I have in my head. It made it hard to get into this series at the start, but even after I did finally get over that discrepancy there’s still some issues that I want to talk about.

Now I don’t want to make it sound like this is a bad show. It’s well animated, there’s a good voice cast and a real sense of nostalgia in the way it calls back to classic cartoons. The animation nerd in me went a little giddy seeing some of the classic reaction shots, music cues and even the way the credits show up in the title cards. For a few seconds each episode I was a kid again, watching endless repeats of cartoons from decades past and loving it. The individual episodes of this series are fun, following Cuphead and Mugman as they go on one misadventure after another with a relatively simple over-arching plot in the background, namely the Devil trying to collect Cuphead’s soul through various schemes. As I said, it’s fun, but therein lies the problem. This series is just fun and nothing more. There’s something missing, some spark, some pizazz that I kept waiting for and yet it never came.  

The more I think about it, the more I’m coming to conclusion that this show emulates those classic cartoons a little too well. There’s no real consequences to actions or development of the characters. After each episode, no matter how the previous one ended, Cuphead will still be the same impetuous troublemaker that he was in the last episode and the whole Devil plotline is mainly played for laughs. There’s no threat, no danger, no real reason to care about what’s going to happen. This season ends on a pretty big cliffhanger and, outside of wondering what one character’s deal is, I’d be fine never seeing the conclusion to the story. I still get a kick out of watching classic Bugs Bunny cartoons, but that’s partly nostalgia and partly because I’ve built a connection with Bugs over the decades. I don’t have that same connection with Cuphead and the show never gives me an adequate reason to form one. I think it just expects me to care without putting in the actual effort to make me care.

One last thing I want to talk about is the music, or rather the songs. There are songs throughout this season, but as I sit here writing this I’m struggling to remember even a single one. This is a problem that is hammered home by the fact that I’ve also just recently finished watching ‘The Ghost and Molly McGee’ where each and every song was a toe-tapping hit as far as I’m concerned. I’m still humming the majority of them and, as I pointed out in my earlier paragraph there are already some really good songs about Cuphead out there, so why aren’t the show’s songs up to that same standard at least? It’s another missed opportunity and another way the show fails to make me care.

The Verdict:

In the end, I’m sad to say that The Cuphead Show! Is a disappointment. It’s well animated, there’s a good voice cast and some fun stories with a lot of nostalgic flair, but I feel like it’s trading a little too hard on it’s nostalgia. It expects you to care just because this show is tied to a popular game and it’s emulating classic cartoons, but it’s not doing anything truly memorable or ground-breaking. It’s missing that emotional connection to really get me invested in the plight of the titular character, most of the time it doesn’t feel like he has any plight at all. When the Devil hunting you for your soul is treated with the same glib one-liners as a gang of vegetables taking over your garden you know something is amiss. If you’re a fan of classic cartoons or the Cuphead character then this is a fine way to spend a few hours, just don’t expect to remember any of it in a week’s time. That’s all folks.

Chris Joynson, aka the Infallible Fish, is a writer, blogger and lover of animation living in Sheffield. The blog updates every Friday or you can follow me on Twitter @ChrisGJoynson.

Cartoon Corner: The Ghost and Molly McGee Season 1 Review

Sweet Baby Corn! It’s time to Enhappify!

What’s the Story?

Scratch is one cantankerous old ghost and, honestly, he wouldn’t have it any other way. His town is miserable so, even if the ghost council wants to, they can never send him to the Flow of Failed Phantoms. What does it matter if all the other ghosts shun him and he eats mainly out of trash cans? The only way things could possible go wrong for him is if some super excitable and worryingly exuberant tween girl happened to move into his house. But even then, Scratch has a full proof plan, he’ll just curse the girl so that he will forever follow her around until she leaves his house for good! It’s not as if this girl, Molly, will interpret the whole ‘follow her wherever she goes’ thing as meaning that Scratch is her new best friend, right? Wait…uh huh. Oh dear. Sorry Scratch, you’ve really only yourself to blame for this one.

The Review:

And once more the Disney train comes a rolling into this station. For however much we fear our corporate overlords I can’t deny they have an eternal grip on my soul, or in other words… like a parasitic worm, they live in my heart! (Sorry for the rather disturbing analogy but this show’s songs are alarmingly catchy and several lines like that are currently stuck in my head). Disney has been on it’s A-game with cartoons in recent years, from Gravity Falls to the Duck Tales reboot they have knocked it out of the park again and again. Admittedly a very noticeable pattern has emerged with these Disney shows, usually focussing on a cast that includes an energetic, if slightly odd, middle school girl, some sort of over-arching mystery and a dark sense of humour. Does ‘The Ghost and Molly McGee’ follow this same pattern? Mostly, I’ll get into the differences in the next paragraph, but the far more important question is, is this another win for Disney? In my humble opinion, absolutely yes.

Let’s get into those differences though, starting with my check list. Energetic, slightly odd middle school girl as a main character? Check. Dark sense of humour? Also check, I’ll refer you back to those song lyrics about the parasitic worm (plus an alarming amount of things die in this series, mostly animals but we do see one old guy die on screen. At least until Scratch grabs his ghost and shoves it back into his body). That just leaves the over-arching mystery and that’s where the checks stop. There is a single plot thread that could become over-arching, but so far it’s only really been important in two episodes and there’s no mystery to it. Outside of that this is very much a slice-of-life style series with each episode consisting of following Molly and Scratch on two different misadventures.

This is a very fun and charming show. Not only is it wittily written, but it has a host of lovable characters to fill up each episode. Molly’s exuberance is infectious and Scratch is a big softie at heart, as much as he tries to hide it. Then of course there’s the turtle-obsessed Libby, Molly’s mad family and all the ghosts and the townsfolk. It’s not a laugh-a-minute, but you won’t have to wait long before the show has you smiling again. Part of that I want to put down to the animation. This is a very expressive show and it isn’t afraid to exaggerate or make things look a little, well, ugly in order to make a joke really land. In a way this series reminds me of a lot of cartoons from the late 90s/early 2000s. There’s something a bit ‘Ren and Stimpy’-like about the way Molly’s face scrunches up from time to time. Throw in some top notch vocal performances and you have the recipe for well-produced comedy that can suck you right into its world.

Talking about those vocal performances though, that brings me to the songs. Each and every episode features at least one song and all of them are some of the catchiest tunes I’ve heard in a while. My hat goes to the performers and the writers that managed to cover a wide array of styles with some odd-yet-killer lyrics. My three personal favourites are ‘Abraham Lincoln’, which gives Hamilton a run for its money, ‘Just Give’ which feels like the Disney theme song in how it demands your money and ‘Awesome Best Friends Day’, which while short perfectly sums up Molly’s personality. There’s also the opening theme which is what got me interested in this show in the first place.

The Verdict:

In the end, The Ghost and Molly McGee is a another winner for Disney’s vast cartoon library. I’m a little sad that they’re stepping away from the more mystery-focused adventure series and back towards slice-of-life comedies, but I have to admit this is a top notch comedy. With catchy songs, witty dialogue and a great cast of characters backed up by some truly expressive animation I really don’t have a single complaint with this show so far, I’ve loved it from beginning to end. However you want to describe this series it certainly can’t be as any sort of a curse. Sign me up for forever with this show!

Chris Joynson, aka the Infallible Fish, is a writer, blogger and lover of animation living in Sheffield. The blog updates every Friday or you can follow me on Twitter @ChrisGJoynson.

Cartoon Corner: DuckTales (2017) Review

Life is like a hurricane, here in Duckburg,

Race cares, lasers, aeroplanes, it’s a duck-blur!

Might solve a mystery or rewrite history!

DuckTales! Woo-oo!

What’s the Story?

When their Uncle Donald drops Huey, Dewey and Louie off at the home of the richest duck in the world, Scrooge McDuck, they have no idea how their lives are about to change. Whether its battling the wicked sorceress Magica De Spell, saving the world from an invasion of moon people or even taking on the schemes of the villainous F.O.W.L. organisation, there’s danger around every corner, but also a real adventure! Together the McDuck family are going to cross the globe, tracking down mystical treasures and uncovering lost secrets, even a few related directly to their family. What did happen to Huey, Dewey and Louie’s mother? Who are Webby’s parents? And, most importantly of all, why does Scrooge hate Santa Claus so much? All the answers and more are waiting for you, so grab on and let’s Dewey this!

The Review:

The Disney train has rolled once more into this blog and, honestly, I couldn’t be happier. Disney has really been on their A-game with their cartoons in recent years. Gravity Falls and Tangles the Series are two of my favourite cartoons ever (almost reaching the same league that I put Batman the animated series in, almost). Owl House (you can read my review of season 1 HERE) and Amphibia (season 1 review HERE) are both doing great things, though the news about the former ending so soon is a disappointment. We’re not here to talk about any of them though. No, we’re here to discuss what is, in my opinion, Disney’s absolute best cartoon they’ve produced so far.

I want you to understand just how strong that praise is coming from me and for that you need context. I can remember watching a couple of episodes of the original DuckTales cartoon when I was a kid, but I was never particularly beholden to the series. Disney movies had me glued to the screen, but when it came to cartoons? I was more of a Warner Bros guy. I have no nostalgia for DuckTales, Huey, Dewey and Louie were non-existent characters and Scrooge was fairly one note as far as I was concerned.

Now? Now I want to hug them and cherish them and go on crazy adventures with all of them. This show has worked it’s magic on me and across it’s three seasons it’s made we fall deeply, passionately in love with each and every one of it’s characters, and this show has a lot of characters! Whether it’s cheering at the reinvention of Darkwing Duck, my heart bursting at the reunion of the boys with their mum, Della, or even just watching the boys and Webby bonding, I have nothing but love for this show and I don’t know what I’m going to do with myself now it’s all over.

I mentioned reinvention and, really, that’s what this show is best at. Just take our primary characters for starters, Huey, Dewey and Louie, for the first time that I’m aware of, all have distinct and fun personalities. Dewey is the overly-eager young daredevil, always rushing into trouble with a desperate need for attention and approval. Huey is the nervous boy scout, always looking for the solution, planning forty steps ahead and panicking when things don’t go according to plan. Louie is our little conman, always able to talk his way out of situations, even if he’s as lazy and greedy as they come. Then there’s Webby who’s gone from the ‘girl’ to an awkward adventure-seeker, who spent much of her early life in isolation but makes up for it by being an absolute badass!

Then there’s that extensive cast that I mentioned and, while I may not have watched that many Disney cartoons in my youth I can recognise a cameo and a deep cut when I see one. From Rescue Rangers to TaleSpin, if there’s a Disney cartoon out there it’s got a mention in here somewhere (honestly I was expecting Gummy Bears and Gargoyles to get a mention by the end) and all the characters get smart and fun updates for the present day. I love this show’s version of Darkwing Duck and the journey that the character goes on across the seasons (from a cameo on a TV screen to a fully-fleshed out character with a new backstory!). You can feel the passion and the attention to detail that the creators of this show have poured into it.

Of course it’s not just classic characters getting a revamp, we actually have a fair few brand new characters that are added into the mythos, and all of them fit perfectly! This biggest and most important is one I’ve already mentioned, Huey, Dewey and Louie’s mum, and Donald’s sister, Della Duck! Yes, I’m as surprised as you are, a mother character in a Disney property who isn’t dead or magically vanished off screen before the first act begins! (Admittedly she is missing for the first season as the over-arching plot is about finding out what happened to her, but she makes her way back in season 2 and from then on she’s a part of the main cast!).

Della is a perfect example of what this show does so well, adding to the wider mythos of the show while also being her own unique character and smart and funny and just brilliant in every way. I could go on and on about this show, I haven’t even gotten into how this show perfectly balances episodic adventures and an over-arching plot, or some of the impressive blending of 2D and 3D animation, but this review is long enough already. Just watch this show guys, you won’t regret it.

The Verdict:

In the end, DuckTales (2017), is the best Disney cartoon to date as far as I’m concerned (sorry Gravity Falls and Tangled). It’s a beautifully crafted show with smart, funny writing, engaging characters and some really top-notch animated sequences. All the while it also pays homage to a legitimate classic (even if I don’t particularly care about it) while still going in its own direction and being additive rather than reductive. If you want to know how to reboot a franchise, heck if you just want to know how to write a stellar cartoon, then you need to check this show out. So what are you waiting for? Grab on to some DuckTales! Woo-oo!

Chris Joynson, aka the Infallible Fish, is a writer, blogger and lover of animation living in Sheffield. The blog updates every Friday or you can follow me on Twitter @ChrisGJoynson.

Cartoon Corner: Pacific Rim: The Black Review

Mecha. Check. Kaiju. Check. Let them fight.

What’s the Story?

Five years ago Taylor and Hayley barely escaped a Kaiju attack with their parents and a small group of others, taking shelter in a secluded basin. Their parents, Jaeger pilots, then left to try and find help and send it back for them. They never returned. After Hayley discovers a training Jaeger, she and her brother are forced to flee again when their safe haven is destroyed by a Kaiju. Now the brother and sister must step out into the wasteland that remains of Australia, something the locals affectionately call ‘The Black’. Gathering a ragtag team around them, including a mysterious boy found in a lab and a trained killer suffering from an identity crisis, they hope to somehow reach Sydney and maybe even find their parents somewhere along the way. There are many dangers in the Black though, and Kaiju are not the only threat they’ll face. Humans can be just as destructive and what of the Sisters and their Kaiju Messiah?

The Review

Pacific Rim was a great movie. Then the sequel was a critical and financial disaster. To say I was relieved when I heard they were making an animated series is an understatement of kaiju-sized proportions. Pacific Rim is a franchise that deserves to carry on, plus its mecha and kaiju all in one perfect package, what’s not to love? So, how does the series stack up? It’s a good start. There’s only seven episodes up on Netflix at the time of writing this so the series feels more like an animated movie when watching it all in one go. Each episode comes with consequences that are felt throughout the series, even if part of that is purely just sowing seeds for the next season.

Before we move on to the more plot and character specifics, let’s talk about how this show looks. Overall it’s good, there are some really nice shots and the action often has the appropriate sense of weight and impact, something that’s really important when you’ve got such giant combatants throwing down. Of course the series isn’t wall-to-wall action, you’ll find some sort of action sequence in each episode, but they don’t always involve the Jaegers or the Kaiju. While I wouldn’t mind a continual stream of mecha-on-monster action, doing things this way does bring some variety to the series and demonstrates the variety of obstacles the characters have to face. On the design front, the Jaegers and Kaiju all fall in line with the principles set out by the previous films. I would like to see a bit more variety in the designs, we tend to get the same three or four Kaiju across the series and the Jaegers don’t look that different either outside of their colour schemes. This is only season 1 though, and only seven episodes at that, so I’m willing to give them a pass on this, for now.

Let’s talk about the characters. As our leads, Taylor and Hayley are perfectly serviceable. They’re both young so I’ll forgive some of their more idiotic decisions, but that does bring in those consequences I was talking about earlier, which are a great benefit to the characters. After the first episode I was worried that Hayley’s guilt over getting everyone in their community killed was going to fade away, but it’s clearly still there. Her continual insistence on protecting Boy, and I wish they’d just a pick a name for the kid already, is partly out of that guilt and she brings it up when talking to the series’ best character, Mei. Taylor has his own consequences to deal with, not only the after-effects of that time he tried to pilot by himself, but to all of his decisions. They’re the protagonists so we know nothing truly terrible is going to happen to them, but the consequences make sure that we know they won’t necessarily get out unscathed.

Speaking of consequences, this series has one heck of a body count. It’s never gory, everything happens off-screen but there are several times were the characters end up with blood splattering across their faces. I mean they kill off the whole community at the start of the series, which I certainly wasn’t expecting. A few maybe, to hammer home the danger, but all of them? Not to mention the fact that there was one death later on that really made my jaw hit the floor. I did not see it coming and it adds to the sense of danger our characters are facing. Taylor and Hayley will certainly survive, but the same can’t be said for everyone else and the cast isn’t that big yet so it’s more than just fodder that’s biting the dust. The series also isn’t afraid to add to the mythology of the franchise and all of that bundles together to make this a really exciting series. I have no idea where it’s going, but I’m more than happy to enjoy the ride.

The Verdict

In the end, Pacific Rim: The Black is a great start to an animated series in this franchise. There’s plenty of Jaeger-on-Kaiju action without making that the only course this series has to serve. Actions have consequences and there’s a surprising body count to this series that creates a sense of danger around the few characters that do survive. The series isn’t afraid to lay down seeds for later season and add to the mythology of the franchise either. I’m looking forward to season 2, whenever Netflix decides to drop it on us. See you in the drift.

Chris Joynson, aka the Infallible Fish, is a writer, blogger and lover of animation living in Sheffield. The blog updates every Friday or you can follow me on Twitter @ChrisGJoynson.

Cartoon Corner: Hilda Season 2 Review

Hilda and the Expanding World!

What’s the Story?

By now Hilda has gotten used to living in the walled city of Trolberg. She may still miss living out in the wild sometimes, but with her friends by her side she’s discovered that there’s more than enough adventures to be found within the walls. From krakens to immortal Vikings, the hidden library of the witches to the return of the Tide Mice, what more could a wild-at-heart girl ask for? Of course not everything is sunny in Trolberg, Hilda is keeping these little adventures a secret from her mum and that’s causing some tension at home. Then there’s the efforts of the Safety Patrol that generally do more harm than good around the city. Also, is it me, or are those trolls getting closer to the walls?

The Review

Hilda’s back! I really loved the first season of this cosy, utterly charming little show, as anyone who read my review of it will be able to tell you (you can read it for yourselves HERE). So, how does the second season stack up? Well, it’s more of the same and that’s exactly what I wanted! This series is like settling down with a warm cup of tea after coming in from a wintry day, possibly with a cucumber sandwich or two. It’s effortlessly captivating, from the superb visuals and animation to the heart-warming characters and inventive situations and creature designs. I could spend the rest of the my days running around the streets of Trolberg, going on adventures with Hilda and the gang, but before I turn this into another non-stop gush let’s talk about what this series does different to the first.

In my review of the first season I talked about how the story kept evolving, and that is true of this second season too, more so in fact. For starters a lot of the elements and characters of the first season return and are further explored and developed. Want to know what happened to those Tide Mice? Want to see more of the witch librarian and see more how magic works in this world? That’s all here and more. It really makes the world of the series feel like a living breathing place, actions have consequences and one adventure will have a knock-on effect on another down the line. It’s also nice that Frida and David get to meet characters that they didn’t run into last season, but the rest of the cast did.

That brings me to the biggest development this season, and the closest this series has gotten to an over-arching plot, Ahlberg. New head of the Safety Patrol, he’s keen to be seen as the hero of the town and his vanity and various schemes often cause problems throughout the season. From antagonising the local wildlife to interfering with forces that only make things worse, it’s almost as if Hilda has a recurring antagonist at last. I say almost because the majority of the time Ahlberg is treated as a joke and dismissed, a fearful idiot who just doesn’t know what he’s doing and never gets any real comeuppance. For those looking for his comeuppance I’m afraid you’ll have to wait a little longer. There’s no real resolution to the problems he’s causing by the season’s end and, since the Mountain King story hasn’t been adapted yet, I’m assuming all that’s going into season 3. (Having read the Mountain King comic though I can’t wait to see it animated!) The most we get for now is the deputy starting to see Ahlberg for the egomaniac he really is.

Ahlberg isn’t the only problem for Hilda this season though, there’s the continual rising tension between her and her mother. It’s typical kids show stuff really, kid goes out on these wild, fantastical adventures and doesn’t tell their parents what they’ve been up to, leading to arguments when they’re finally caught out. Where Hilda is different though it that it goes to great lengths to show both sides of the argument. Hilda’s mum is genuinely worried about Hilda, after all she knows about some of the stuff that’s out there and she knows how headstrong Hilda can be. Hilda on the other hand just wants to roam and enjoy herself, and in her head she’s not telling her mum about this stuff because she doesn’t want her to worry. Of course she doesn’t realise that by not telling her stuff she’s actually making her mum worry more. You can feel the love between these two and the moments where they get to show that, as well as going on little adventures together, are just magical.

There are also quiet a few tearjerker moments in this season, for me personally the ones that really got me where the time travel episode and the Twig episode. The Twig episode I was expecting to get to me and it did, but the time travel one managed to get me to care more about a couple of ancillary characters in twenty minutes than some shows have managed in twenty episodes.

On a final note, I can’t end this review without once more mentioning how good this show looks. The character designs are just perfect, simple and yet endlessly-endearing and really creative when it comes to the various creatures that pop up throughout the series. I really love the use of colour in this show’s visuals, especially when paired up with the changes in lighting or when anything is glowing. There’s a warmth that just oozes off of the screen and pretty much every episode has at least a dozen frames that I want to decorate my walls with. As I said in my previous review, this show is just beautiful in multiple senses of the word.

The Verdict

If you enjoyed the first season of Hilda, then you’re definitely going to enjoy this one too. It’s more of the same, but what else could you really ask for from this show? It’s sweet, it’s heart-warming and oh so very close to being perfect. The animation, character decision and sound design are all top notch and the world and characters continue to evolve in natural ways. Fair warning, the series does end on a cliffhanger and there’s clearly more to come so we’ve all got to await that elusive season 3, which I’m more than happy to wait for. The best things are worth the wait.

Chris Joynson, aka the Infallible Fish, is a writer, blogger and lover of animation living in Sheffield. The blog updates every Friday or you can follow me on Twitter @ChrisGJoynson.

Cartoon Corner: Amphibia Season 1 Review

Gotta ribbit ribbit, Jump on in it!

What’s the Story?

Anne is just a normal teen, hanging out with her friends Sasha and Marcy, until one day when said friends convince her to steal a weird box from a thrift shop. Now Anne finds herself in a strange world filled with talking amphibians and a whole host of dangers and grossness she is just not prepared for. Luckily she befriends a local family of frogs who take her in and support her as she looks for her human friends and, hopefully, a way home. Of course before that she’s got to survive one madcap adventure after another, because if the giant insects and mind-controlling mushrooms weren’t a giveaway, this place might just kill her!

The Review

Disney does isekai! I’m joking of course, though only just. This series does fit the basic definition of the anime genre, in so much that it’s about someone from our Earth transported to another world. It also amuses me that this is one of two ongoing Disney cartoons that have that same basic setup, since The Owl House is also about a teenage girl being transported to another place (but I’ve already talked about the first season of that HERE). That’s about as far as the anime influences go as the rest of this series is pretty much what I’ve come to expect from this current era of Disney cartoons. What do I mean by that? Well, Disney cartoons all have a fairly similar list of ingredients of late. We’ll have wacky characters, episodic adventures that sometimes build into a larger story arc, lessons of the week delivered with a dose of self-awareness and a little bit of a dark edge to the whole series.

It’s a formula that works, as each series that uses it proves, and like anything that can make Disney money they’re going to exploit the hell out of it! (Just on a side note, I don’t want to make every Disney cartoon sound like their all carbon copies of one another because they’re not. They share a formula, that’s all, but just because you’re following the same recipe doesn’t mean you’re going to bake the same cake. Every series creator has their own special ingredients to add, if you’ll allow me to continue the metaphor).

Enough about Disney cartoons in general though, let’s talk Amphibia. When I first signed over my soul for Disney+, Amphibia was one of the series I was looking forward to watching. It took a while for the first season to appear, but when it did I found it was…okay. I enjoyed it, don’t get me wrong, it just didn’t blow me away like I wanted it to. There’s potential with this series though, especially with the way it ended, but I’ll get into that in a little bit. This first season is very much about setting the tone, most of which is about Anne and the Plantar family getting into wacky hijinks, usually with Anne or one of the Plantars learning some sort of lesson along the way. The ongoing plot of Anne trying to find a way home or find her friends is pushed on to the back burner. We do get a couple of glimpses of Sasha, no sign of Marcy so far, and every time Anne tries to find out about the box that brought them to Amphibia she’ll get sidetracked by some sort of deadly danger.

For the most part it works. The episodic adventures are fun, whether it’s Anne getting the Plantars hooked on one of her trashy TV shows, Sprig getting everyone locked in a library because he’s bored or Hop Pop mind-controlling the kids for a moment’s peace, there’s a lot to enjoy. The characters are all fun, each flawed in their own way, but you can feel the bond growing between them. There’s also a nice sense of continuity between the adventures, when the Plantars lose their market stand in one episode it stays lost for several episodes before they find a way to get it back. When Hop Pop tells his sweetheart how he feels, she comes back later as his girlfriend and the same goes for Sprig’s love life.

That’s not what has me really excited this series though, it’s good, certainly, but there’s a couple of things that could push this series into great in the future. My favourite character so far, despite her limited appearances, is Sasha. I’m just fascinated by the relationship she has with Anne and the level of nuance to it. I mean on the one hand, yeah, she is a bully basically coercing Anne into doing whatever she wants. She clearly thinks that she knows best and is a skilled manipulator, easily able to wrap anyone she wants around her little finger. On the other hand, she does seem to care for Anne, she defends her from bullies, and is willing to let Anne go at the end of the series to save her. All that being said, the moment when Anne stands up to Sasha is the first truly epic moment of the series and I’m hoping they’ll be plenty more as I go into season 2 and onwards.

The Verdict

In the end, Amphibia is a fun series and worth checking out, even if I suspect it’s best is yet to come. Season 1 feels very much like a tone setter, letting us get to know the characters and giving us a sense of the world before things get crazier down the line. The conclusion of the series shows a lot of potential, especially in the dynamic between Anne and Sasha, something that I hope will be explored more in future seasons (not to mention we still haven’t seen a hair of what happened to Marcy yet). Give it a chance and hop onboard for this trip to another world.

Chris Joynson, aka the Infallible Fish, is a writer, blogger and lover of animation living in Sheffield. The blog updates every Friday or you can follow me on Twitter @ChrisGJoynson.

Cartoon Corner: The Owl House Review

“This is clearly not the PG fantasy world I always dreamed about.”

What’s the Story?

Luz is a self-assured teen just bursting with imagination and creativity, unfortunately that often gets her into trouble. Her latest stunt, a book report involving live snakes, is about to get her sent to summer camp to learn to curb her wild behaviour, that is until a tiny owl steals one of her fantasy books! Giving chase, Luz finds herself transported to a strange, and often grotesque, world, the Boiling Isles! There she is taken in by rogue witch Eda and her adorable demonic partner, King. This may not be the kind of fantasy adventure that Luz has always dreamed about, but it could be just the one she needs. Who needs summer camp when you can instead become an apprentice witch!

The Review

One last stop on the Disney train for this year (they’ll be more next year. Sorry, not sorry. The last couple of weeks have really put me in the mood and there’s a couple of shows that I should have talked about before. So look forward to them!) Anyway, let’s talk about The Owl House. I have been dying to watch this series ever since I saw the promotional images for it last year, it’s first season has finally dropped on Disney+ (part of the reason I even signed up to that service) and it is pretty much everything I wanted. Now I’m not going to claim it’s the ‘Greatest Thing Eva!’, it’s only a first season after all and it’s still got plenty of potential it can grow into, but at the same time I had a lot of fun with this show. I’ll admit I’m a sucker for the current tend of fantasy cartoons with an often hinted at mystery in the background and The Owl House handles all of those elements really well. I like the Boiling Isles as a setting, the series has a great colour palette and I love the grotesque-without-being-gross designs of the locations and inhabitants. What’s really hooked me in though is the humour and the characters.

I knew this series and I were going to get along with the very first joke, in which we see a typical fantasy witch confronting a snake monster and declaring that she’s a ‘warrior of peace’. Then she screams ‘Now eat this sucka!’, turns her staff into a bazooka and just blasts the monster. ‘My only weakness! Dying!’ I could quote the jokes of this series all day long and never get tired of it. That’s not to say the series is wall-to-wall jokes, some of my favourite moments are actually some of the more quieter, characterful ones, like when Luz admits to Amity that she’s not a witch, but she’s training hard to be one (that scene breaks my heart every time).

Let’s talk about the series’ two best girls for a second (Yes I’m a Lumity shipper, what of it?). Luz is energetic and impetuous, which often gets her into trouble even though she has the best of intentions. The series is very obvious with it’s themes of Individuality VS. Conformity and Luz is right in the middle of that. She has her own way of seeing and doing things and the series is very much on her side when it comes to her expressing herself as she wants to, as the show says “Us weirdos have to stick together”. Yet, at the same time, it’s not completely dismissive about joining in with the group either. There are benefits to being in a group, not least surrounding yourself with like-minded people. Eda may gripe about the series’ coven system that locks you into one way of magic, but it’s pointed out a couple of times that Luz has to make up her own mind. Conforming without compromising your individuality, that’s a more nuanced lesson that I’m glad this show is putting forward. Plus Luz is an adorable dork that I just can’t help but root for, watching her learn magic in her own way is a joy across the season.

Now let’s talk about Amity, who may just be the most well-developed character in this series. When we first meet her it looks like she’s going to be the typical school bully character, picking on a fellow classmate for being weaker at magic than her. Yet with each episode she appears in we learn a little bit more about her, and why she’s the way she is. From her overbearing parents to her tormenting siblings, Amity strives for perfection and doesn’t believe she can show any weakness. Yet each time she comes in contact with Luz, her character grows, adapting to this strange new person in her life and pretty soon Amity has evolved from the bully into a potential love interest. (On a side note, check out the song ‘Little Miss Perfect’ on the Write Out Loud youtube channel, it perfectly sums up Amity and has been embraced by us Lumity shippers as our national anthem.) I’m really looking forward to where the show is going to go next with her character and what more we’ll learn about her history.

As for the rest of the characters, Eda, King and Hooty probably take my third, fourth and fifth favourite spots, in that order. They’re all really fun and the banter that they share always brings a smile to my face. Before I wrap this up though, there’s one last aspect of this show that I really want to talk about, the animation. Disney always has quality animation, even when it’s stuck with a TV budget, but there are some spectacular moments throughout this series. The duels between Eda and Lilith and Luz and Amity’s dance magic combo in the Grom night episode being my particular highlights. The animation just flows so beautifully I couldn’t help but be carried away by it.

The Verdict

The Owl House is a good show and a great starting point with a lot of potential going forward. The characters are all funny and likeable, each in their own adorkable way, and they continue to grow and change across the season. There’s a strong theme of Individually vs. Conformity, with a more nuanced answer than I was initially expecting. If you’re after a fun fantasy adventure and don’t mind some grotesque character designs and setting, then I’d definitely recommend this. I can’t wait to see what season 2 has in store for us!

Chris Joynson, aka the Infallible Fish, is a writer, blogger and lover of animation living in Sheffield. The blog updates every Friday or you can follow me on Twitter @ChrisGJoynson.

Cartoon Corner: Tangled the Series/Rapunzel’s Tangled Adventure Review

Plus Est En Vous!

What’s the Story?

Freed from the tower and the clutches of her kidnapper/abusive parental figure, Mother Gothel, it looks like Rapunzel finally has her happily ever after. She’s reunited with her real parents, has the man that she loves, Eugene, in her life and the whole kingdom of Corona to welcome her home, what more could she possibly want? Whatever it is that’s missing it’s enough to convince her to take a late-night trip out beyond the walls with her new handmaiden, Cassandra, to where the Sundrop Flower once grew. Now there are indestructible black rocks growing out of the ground where the Sundrop fell, and when Rapunzel touches one they suddenly begin to grow. That’s not the only effect though as the magic inside Rapunzel is reawakened, giving her back her incredibly long golden hair and brand new magical abilities. Adventure is calling for Rapunzel, it will take her to the Dark Kingdom and back, test her closest friendships and even see her facing a near-immortal evil from Corona’s past. Nobody said being a princess was easy…

The Review

I love Disney, always have always will. Doesn’t mean I won’t make fun of them or call out the machinations of our corporate overlords, but when the business suits get put away and the creators and talent working behind the scenes can just do their thing, Disney produces some of the best in the business. That brings me to Tangled the Series (also known as Rapunzel’s Tangled Adventure from the second season onwards). I’ve talked about this show a couple of times before on this blog, which you can check out HERE and HERE, and I am very much in love. Is it the greatest cartoon that Disney has ever produced? No, that’s a three-way death match between Gargoyles, Gravity Falls and the latest DuckTales cartoon (potentially the Owl House, but we’ll talk more about that next week). That being said, Tangled the Series genuinely inspires me as anyone who’s ever visited the Disney folder on my Deviantart account will probably be able to tell. (In fact, to save you the trip I’ve put some of my favourite pieces throughout this post!)

This show is proof that it doesn’t matter what your idea is, what matters is how you do it. I have no idea how this series got the initial green light. You want to make a series following on from Tangled? A film that pretty succinctly wrapped up its plot, has no dangling plot threads left over and even has a short to give us all the wedding scene we wanted. Also you want to set the series in-between the film and said short so we know for certain nothing is going to happen to any of the characters that appear in the short, because they have to be there. What are you supposed to do with that? If it was me I’d have thrown my hands up in defeat at the first script writing session, but luckily I wasn’t on staff for this series because they did have a plan. Not only that, they pulled out literally all the stops, bringing back Mandy Moore and Zachary Levi to voice their characters again and putting Alan frickin’ Menken on music. Tangled the Series is what happens when you take an idea and pour as much talent and passion into it as possible.

Let’s talk about the animation, which is another highlight of this series for me. I’ll admit it took me a few minutes to get used to it, but now I’m fully onboard. Disney’s been trying out this style in some of their shorts for several years now, it’s this weird mix of 2D and 3D where I’m not sure if it’s 3D models textured in such a way that they look 2D, or if it’s 2D characters somehow ported into a 3D space, or a mix of the two. Whatever it is it really works, even on a meagre TV budget. There are certainly some shots where you can tell that something is off, but then there are other times when the animation is free to dive into these big sweeping shots that just take your breath away. Add on the utterly gorgeous backgrounds and the storybook look to everything and it’s like you’ve stepped into a Mary Blair sketchbook. (FYI, Mary Blair was an artist/animator who worked for Disney back in the early days, think Sleeping Beauty and you’ll get the look I’m talking about. Also, check out her concept art because it’s all gorgeous). When I’m in love with a series’ art style I often say I want to take each frame of animation and hang them up on my wall, well, for this series I want to cover every wall of my house with frames from this show. I love it and, honestly, I’m praying that Disney will try this style with a big budget film some day.

What about the story though? It’s all well and good bringing in all these talented people and making everything look really, really pretty, but it’ll all fall flat without some substance behind it. Thankfully I love the story of this series as much as I do the artwork. What took me by surprise the most was the attention to character detail. Admittedly I was just expecting this series to be silly princess hijinks in the capital, which is how the series starts, but there’re little bits that show just how much the creators get these characters. Rapunzel’s reaction to returning to the tower for the first time, her dad waking up in the middle of the night, terrified that he’ll lose his daughter again and the things that fear makes him do… all of it is spot on.  Rapunzel is by far the most interesting Disney princess to me, she’s spent her whole life trapped in a tower, she knows nothing of the outside world and is probably the most child-like princess in the Disney canon. She’s never had to make difficult choices, she’s never had responsibility, but now she does and we follow her as she struggles along that journey. Honestly it’s been a joy to watch her grow up as she’s tackled everything from friends betraying her to ancient evils and shocking revelations about those around her.

That’s something else I have to give this series credit for. It effortlessly adds and expands on the mythos of the film, turning it from a fairy tale story about a flower with healing properties into a grand adventurous epic. I mean I never expected ancient wizards, goat-headed demons and alchemists’ robots to turn up in a Disney princess story, but somehow it all works. The only real complaint I have about the story is the amount of filler episodes it has. Tangled the Series works very much on the tent pole format, where there are several episodes in each season that progress the series’ arc and need to be seen, but all the ones in-between just tend to maintain the status quo and keep things chugging along. The tent pole episodes themselves are all fantastic, and I love them, but the filler are a bit more hit and miss. Don’t get me wrong, some of the filler episodes are my favourites in the series, but others are very much just padding. Fun padding, but also obviously padding. It’ll probably be less of a problem on a binge watch, but watching it week to week it can wear you out waiting for the story to get properly going again. It’s not a major problem though and I do enjoy if not outright adore 99.9% of this series.

On a final note, I can’t leave this review without mentioning the music of the series. As I mentioned earlier they got Alan Menken back and I am so glad that they did. The songs of this series, in my opinion, are actually better than the movie’s. Nothing against Tangled’s songs, I do have a great deal of fun with them, but nine times out of ten, the ones in this series pack so much more of a punch. From the sheer joy of songs like ‘Wind in My Hair’ and ‘The View from Up Here’, to the heartbreak of ‘Waiting in the Wings’, the Broadway power of ‘Nothing Left to Lose’ and the epicness of ‘Ready As I’ll Ever Be’. These songs are scattered throughout the series, mostly in tent pole episodes and the majority of them knock it out of the park, especially the villain songs (though personally I think of them as ‘antagonist songs’, but I can’t talk about that without spoilers so I won’t). Just go listen to them, you won’t be disappointed, though some songs may come with spoilers so be warned.

The Verdict

All in all, Tangled the Series/Rapunzel’s Tangled Adventure is a fantastic series and a true testament of what you can do when you put talent and passion into your idea. Combing a clear understanding of the characters with a dramatic storyline, expanding mythology, breath-taking art style and some toe-tapping songs, it’s been a joy to watch. I’m still sad that this series has ended now after three brilliant seasons, but I’m also incredibly grateful that I’ve gotten to go on this journey with these characters in the first place. It’s not perfect, but this is the series that cemented Rapunzel as my favourite Disney princess, potentially my favourite Disney character period. Check it out, maybe you’ll have had as much fun as I did.

Chris Joynson, aka the Infallible Fish, is a writer, blogger and lover of animation living in Sheffield. The blog updates every Friday or you can follow me on Twitter @ChrisGJoynson.

There’s one last stop for the Disney train this year as we take a look at one of Disney’s latest productions, Next Week…

Take a trip to the Boiling Isles!

Cartoon Corner: She-Ra and the Princesses of Power Review

Blog She Ra and the Princesses of Power Review Title

Ooh. Are we messing with Adora?

What’s the Story?

Raised by the Horde since she was a baby, Adora has been taught to fear the evil princesses of Etheria and to serve her lord, Hordak. However, when she sneaks out with her best friend Catra and comes across a magical sword in the woods (it happens), she discovers that she has an even greater destiny. Realising that it’s actually the Horde that are evil, Adora joins the princesses and their rebellion, putting her at odds with Catra, who remains with the Horde. Transforming into the mighty She-Ra, Adora battles to free her home and protect her new friends, but not everything is as it seems. There is more to Etheria than first meets the eye, just what was the plan of the First Ones and what did they do to this planet? Why did the previous She-Ra, Mara, turn against them and what is Hordak searching for out in deep space? The answers will test Adora and her friends to their limits and bring them into conflict with a near immortal evil.

The Review

It’s true what they say, you don’t know what you’re missing until it’s gone. I’ve enjoyed watching every season of She-Ra (you can check out my review of the first season HERE), and the show has gone from strength to strength with each new season. I’ve laughed, cheered and even cried a little bit as I’ve followed this show and it’s characters, but I guess I’m only just now realising how much I’m going to miss this show. I’m writing this review about a week after watching the very last episode, which is unusual for me. Normally I start a review the moment I finish watching something to make sure all my thoughts are fresh in my mind, but in this case I wasn’t planning on reviewing She-Ra again. I’d said most of what I wanted to in my first review and far better reviewers than me have gone on to breakdown the themes and developments in later seasons. Yet, as I sit here listening to the ‘Drunk Adora’ video for the millionth time, I just can’t get this final season out of my head so let’s talk about it.

First, before we get into the final season let’s overview all the others. I’ve already given my thoughts on the first season, but for those who don’t want read the whole thing the basics are that it’s a good set up. It introduces the characters and there are some good gags, but by far the best aspect of this season is the electric chemistry of Adora and Catra as former friends, now bitter enemies. Season 2 is more of the same, there is a really funny episode where the princesses each give their plans for raiding a Horde base and each one takes on a new animation style. This is also the season were I really started to fall for Scorpia and she is one of the best characters in the whole series, I will accept no arguments on this (then again the Horde characters are often my favourite in this show). Also Glimmer gets some impressive uses of her teleporting power in fights, which I wasn’t expecting.

Season 3 is where this show really starts to up its game though. We get a deeper look into the lore and back story of Etheria, learn a bit about the previous She-Ra, Mara, and get our first hints that the First Ones weren’t all that great. Also the Entrapta and Hordak ship begins to sail in this season and I am all for that, they have some great scenes together. Also one of my very favourite scenes comes in the season finale when Adora decks Catra, which was a necessary character moment for the both of them, more on this in a bit. Season 4 I won’t go into much detail, but this was my favourite season, it ups the stakes considerably, takes the character arcs into some dark, though necessary, places and ends with things being as bad as they could possibly be, but still with some hope.

Looking back over the series, it’s pretty clear that outside of all the goofy jokes and flashy princess powers, this is a show about abuse and the domino effect of passing that abuse on to others. Hordak sought the admiration and attention of Horde Prime and when he didn’t get it he took it out on Shadow Weaver. Shadow Weaver wanted to impress Horde Prime and when she didn’t, she took it out on Catra. Catra then takes out her frustration and anger on Adora and, when she’s not around, Scorpia. It’s one toxic relationship after another until someone just finally says ‘no’ and walks away. That’s what Adora does in the very first season, she leaves the abusive Horde and finds friends and a place that accepts her and let her be her.

Of course Adora is still damaged inside and I’m kinda ashamed it took me as long as it did to recognise that Adora has a self-sacrificing streak a mile wide. She takes responsibility and blame for every little thing, even when it has nothing to do with her. She will give everything of herself to fix someone else’s mistake or protect them or even just to get their approval, cutting herself off from the love and friends that she needs to properly heal. Slight spoilers, that’s why one of my favourite moments comes in the third season. Catra is putting the blame for everything on Adora until she finally stands up for herself, saying, ‘You made your choice, now live with it!’ and proceeds to punch Catra square in the face. I cheered so hard at that moment, because it was Adora taking the first step to sorting herself out.

Catra on the other hand is more the self-destructive type. She’s so terrified of being abandoned that she will push people away from her and if they don’t immediately leave then she will keep pushing and pushing until they do. Everyone always leaves her because she makes them leave and it takes for things to truly spiral out of control for her to even to begin to recognise this about herself. And after all the hurt she’s caused, the people she’s almost killed and the friendships she’s broken, can she ever really be truly redeemed? Well, that brings us to season 5 doesn’t it?

Season 5 is by far the best season of She-Ra, it brings a natural conclusion to every character’s arc, whether it’s affirming ships like Sea Hawk and Mermista (I got oddly emotional about these two in the last couple of episodes, you’ll have to watch the show to see why) or having former enemies like Entrapta face up to the people their actions have hurt in previous seasons. Also, slight side note, Spinnerella and Netossa may just be my favourite characters this season, next to Wrong Hordak of course. I mean they’ve been in previous season, but they were little more than background characters as far as I was concerned. This season they really come to the forefront and while Spinnerella gets to show how much of a devastating badass she can be, Netossa gets a truly heart-wrenching arc. She really grew on me and I wish she was in more of the earlier seasons looking back.

All that being said though, the biggest arc of season 5 has to be Catra’s redemption and I am so thankful to say that it is expertly handled. A lot of redemption arcs don’t pay off until the very end of a season, with the former villain doing one heroic act and then suddenly all is good and everyone’s friends! That doesn’t happen here. Catra’s heroic act comes in episode 3 of 13 and the rest of the season is spent with Catra apologising to people she’s hurt and trying to stop herself falling back into old patterns of behaviour. It was a joy to watch and really well handled and preformed, because redemption is not just a one and done thing. People can change, but when you’ve acted a certain way for so long, it’s hard to change your behaviour. You have to constantly catch yourself and try to be better, which Catra does. It’s great to see and, yeah, last spoiler (though I’ve already put this in the title card), seeing her open up about her feelings to Adora and Adora sharing those feelings was a heart-melting moment for me. Also points for a full on screen kiss and not just leaving it hinted at or until the very last scene, looking at you Korra.

The Verdict

All in all, She-Ra and the Princesses of Power is a great show. The first two seasons are nowhere near as good as it gets and while I hate being that guy, just bare with it until the third season at least to get to the good stuff. It has a wealth of great and fascinating characters, all of whom are fun in their own ways, from the mechanical madness of Entrapta to the adorable dumbass Adora and the ‘catty’ behaviour of Catra (sorry, couldn’t resist that one). Chances are you’ll find at least one person to love in this series. The story continues to escalate with each season and the final fifth one manages to tie up all the arcs in a satisfying way. Definitely worth giving it a go.

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Chris Joynson, aka the Infallible Fish, is a writer, blogger and lover of animation living in Sheffield. The blog updates every Friday or you can follow me on Twitter @ChrisGJoynson.

Cartoon Corner: She-Ra and the Princesses of Power (Season 1) Review

Blog Shera Review Title

Hey Adora

What’s the Story?

Adora is a loyal soldier of the Horde, until one day when she sneaks out with her best friend Catra. After having visions of a magical sword, Adora runs into one of the evil princesses that she’s spent her life training to fight. It’s then that Adora learns the princesses aren’t so evil after all, though Princess Glimmer is hostile towards her at first, but Adora discovers it’s the Horde that is evil and after witnessing the destruction they bring she decides she has to stop them. With the help of the Sword of Protection, Adora transforms into the mighty She-Ra and together with her friends and the other princesses she will fight to return balance to the world, even if it means going up against her former best friend, Catra.

The Review

Okay I’ll admit this straight out of the gate, I have no real interest in She-Ra. The cartoon was before my time and much like the original He-Man, I have way too many other shows to watch before I even consider going back and watching both of those shows. I have seen the terrible live action He-Man movie and that rebooted He-Man cartoon (from the early 2000s?) was okay from what I remember, but that is the extent of my knowledge of this universe. I am coming into this series completely blind as a new viewer, waiting to be won over. It’s mostly Noelle Stevenson’s name attached to this series that is the reason this show has been bumped up my watch list, because I really love her Nimona comic (seriously, it’s smart, funny and pretty heart-breaking and I will recommend it to anyone who hasn’t read it).

Now that that is out of the way, let’s get down to season one, how is it? It’s okay. I enjoyed watching the series, but at the same time it’s hardly the most revolutionary of cartoons. It’s trying to be a fusion of Avatar: The Last Airbender and Steven Universe and never quite manages to be as good as either of those shows, yet. I say yet because this is just a first season and like a lot of first seasons the show is very much finding its footing. It doesn’t help that the majority of the first half of this series, outside of the opening, is very much a princess of the week setup, introducing characters and one and done problems so that we can get a handle on everyone’s personalities and powers, which is what it needs to do. It’s necessary groundwork for what’s to come, but it’s all pretty much predictable at the same time. Stories of friends finding themselves on different sides of a war and people suddenly finding they have magical powers and a destiny have all been done before and the story pretty much plays out as you’d expect. We catch glimpses of the wider world, but aside of some nice backgrounds (and I do love the scenery in this series, but I’ll come back to that) we don’t learn all that much about this place until the end of the series.

Actually talking about the end of the series, what has me hopeful for this series is that it does pick up towards the end. As the one-and-done princess stories finish we move on to a more serialised story with each episode bleeding directly into the next as things begin to completely fall apart for our heroes and I did very much enjoy that final battle, though that could partly be down to the epic She-Ra/Catra slugfest during the battle (is it wrong that I love this series most when they’re fighting?) The whole Adora/Catra dynamic is my favourite part of this series and it is brilliantly played. You can see that these two want to be friends again, but there’s just so much between them that they just can’t reach one another, whether its their pride or their obliviousness that’s stopping them from just taking that last step towards one another. Episode 11 is by far the best episode of this entire season purely because of this dynamic and I’d recommend just watching that episode if nothing else as it sees Adora and Catra trapped together and it really digs into their relationship. It starts off with the show’s typical goofy humour, but that quickly gets pushed aside to get to the raw beating heart of the characters and the voice acting, the direction and the animation all take it up a notch.

Going back to the show’s humour for a second, I can see why this show might annoy purists. Like I said, I haven’t seen the original She-Ra cartoon, but it is an eighties cartoon and this show’s sense of humour is very current. Think Steven Universe, there’s a lot of serious things being talked about and then that being undercut by someone saying or doing something weird. In fact there’s a lot of characters being and acting weird, which is fine for me as I like that kind of humour, but I totally understand that it’s not everyone’s sense of humour.

As for the animation I like all the character designs and as I said before, this series has some beautiful locations. I love how this show uses colour, from the bright and hopeful to the dark and dinghy, it really knows how to set atmosphere in a scene and it’s always go to look at. The soundtrack has some pretty good tracks as well that I wouldn’t mind listening to by themselves.

The Verdict

In the end She-Ra and the Princesses of Power is a good start. There’s a lot of potential here and I like the majority of the characters, my favourite aspect so far is the dynamic between Adora and her best frenemy Catra. The story does take a little while to lay its groundwork and only really gets going past the midway point of the series, but if it carries on the course it’s on it could be a really fun and exciting ride. I’m looking forward to more of this show.

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Chris Joynson, aka the Infallible Fish, is a writer, blogger and lover of animation living in Sheffield. The blog updates every Friday.