A Song from the Heart.
What’s the Story?
In the future, A.I. have become an intrinsic part of everyday life. From the many varied humanoid androids who take on all manner of jobs throughout human industry, to the Archive that monitors and records everything, they are everywhere. For a century the world has been at peace and content with this state of being. Then, one day, that all changes. Suddenly the A.I. begin singing and turn on the humans, killing them indiscriminatingly. To try and prevent this from ever happening a specially designed A.I., Matsumoto, is sent back in time a hundred years to alter key moments in history. Of course Matsumoto can’t accomplish this alone and he enlists the help of another A.I., a singer named Vivy. But what can she do to help when she’s struggling to understand her own mission? What does it really mean to make everyone happy with your singing?
This series is fantastic. I’m cutting straight to the chase on this one because I am very aware that this post is about to become a full-on gushfest and I thought I should give you all fair warning. Sorry those of you who were hoping for a reasonable, well thought out dissection of the show, but that’s not happening here (then again I don’t know if I’d ever call any of my reviews well thought out, they’re all written stream of consciousness style. I’m getting sidetracked.) There are many aspects of this series that I want to discuss, from the stunning visuals to the blistering action sequences and engaging plot, but there’s one thing that makes me want to stand on the rooftops and sing out my love for this show more than anything else. As corny as it may sound, it’s the heart of this show that’s captivated me.
One of the strongest aspects of Sci-fi for me, is it’s ability to examine the human condition from a different perspective and drill down into the core of what makes people, well, people. Vivy’s struggle in this series, her central one at least, is figuring out what ‘pouring your heart into something’ means and we see her stumble and fumble her way to an answer by the final episode. Despite the fact that Vivy is made out of all sorts of plastics, metals and computer programs, she is one of the most human characters I’ve seen in a while. You feel the effect that each and every one of her missions has upon her, whether that’s for good or ill, and watch as she processes and learns from it. This series is a century’s worth of character development compressed into thirteen episodes and it is brilliant, really anyone who’s interested in writing good character progression should check this series out.
Okay, putting Vivy herself aside for a moment (though if that’s all this series had I’d probably still be gushing about it), what else does this series have to offer? Well there’s the amazing visuals for one. Every frame of this series looks great, from the character designs to the general aesthetic. I particularly like the slight plastic sheen that’s given to all of the A.I. characters so you can always tell who’s human and who’s not. The fight sequences are also fantastic, well choreographed and full of energy and impact. Admittedly some of the action can get a bit too frantic and so the visuals get a little messy sometimes, but even then I feel like that’s on purpose as it as adds to the tension and kinetic power of the scenes. Throw in some good songs and an innate understanding of what visuals to pair with a particular musical sequence and we’re really on to a winner.
That brings me, finally, to the plot of this series and probably the area I could pick the most holes in if I wanted to. Time travel stories are hard, this is an established fact in writing. The minute you start bending the hard rules of causality for your narrative is the moment you’re asking for problems. It immediately opens the door to questions like ‘if they can go back in time why don’t they do it over and over again until they get it right?’. They hang over a series like this and the moment you start picking the whole thing falls apart. I’m not saying you can’t do that with this series, you absolutely can if you’re of a mind to, but the series is very good about providing answers to any question that’s likely to pop into your head.
Why does Matsumoto recruit Vivy into his mission when her own mission has her as a singer not a fighter? What if Vivy wants to change something that isn’t to do with saving the future? Plus a myriad of other questions, the series gives you an answer either just as the question comes up or shortly after. It doesn’t plug every single logical hole, but it’s enough to satisfy and on the surface level everything makes sense and works out. Also I love some of the way the time travel events have been plotted out, so you can see the ramification that earlier missions have had on later events. There has been a lot of thought that has gone into this series, but it’s the feels where this show shines the brightest.
In the end, Vivy – Fluorite Eye’s Song is a fantastic series and one that I will recommend with every single beat of my heart. It’s story is well thought out and engaging, it looks great with some blistering action sequences and, most importantly of all, the characters are the heart of the series. Vivy’s journey, trying to find the answer to her mission and reconciling all of her myriad experiences and trials is a joy to watch. I’ve fallen hard for this series and I regret nothing. Check this out as soon as you possibly can!
Chris Joynson, aka the Infallible Fish, is a writer, blogger and lover of animation living in Sheffield. The blog updates every Friday or you can follow me on Twitter @ChrisGJoynson.